Who Are You?

29 11 2007

Since Don’t Box Us In began, we’ve been featuring some talented photographers and their work and you know a little bit about us, but now we’d like to know more about YOU!

2008 is just around the corner and we want to know more about our readers and what you’re interested in seeing on DBUI next year. Please take a few minutes to answer some or all of the questions in the comment box… thanks!

1. Which country are you from?
2. What field of photography do you specialize in?
3. In less than 20 words, describe your style of photography.
4. Canon or Nikon? Mac or PC? Photoshop or Lightroom?
5. Name one thing that not many people know about you.
6. Three things we’ll always find on your desk.
7. Which photographer would you like to shoot with for the day?
8. Who or what has inspired you during 2007?
9. Did you attend any seminars/workshops this year and, if so, which one did you find most useful?
10. Which photography seminar would you like to attend in 2008?
11. If you’re a member of photography forums, which one do you visit most regularly?
12. Do you belong to any photographic societies/organizations?
13. Which three blogs did you visit most during 2007?
14. What would you like to see more of in 2008? More in depth interviews? More photos? Photoshop tips? Shooting/lighting techniques? Product info? Something else?
15. How did you hear about DBUI?





Mark Ridout – Ontario, Canada

19 11 2007

With almost three decades of experience, Mark Ridout has worked as a photo journalist for major newspapers and magazines, with major advertising agencies on corporate accounts and on special assignment for corporate clients. He maintains a strong passion for wedding photography and has become one of the most sought after photographers in Central Ontario with many of his images having been published in print media. Mark’s work is breath-taking and distinctive and to simply call it eye-catching would be an understatement.

If you want to give yourselves a visual treat, check out some of Mark’s exceptional personal work in his Blurred Vision section on his website.

Mark Ridout’s Website

How do you keep yourself motivated & your photography fresh?

i am always pushing myself to improve. i often spend a few hours a week surfing the net, reading magazines, always looking and admiring other artists work. I want to always be trying something different in regards to lighting, composition, subject

What (or who) has inspired, & continues to inspire, your work?

I really can’t say that there is one photographer or person that inspires my work. Each event that I shoot I try different techniques. I return home, load the images and improve on what was taken. If I made a mistake and the image looks good I spend the next few minutes trying to figure out what the hell I did :)

Show us your favorite image that you’ve shot so far this year & tell us what it is about this image that makes it special to you.

This image was shot late in the day, early evening on a dock at a resort in Cuba 2007. I just love the sky although I wish now that the groom had brought up his hand and given her a little more lov’in! It’s special to me because the bride is my daughter.

How important is post-processing in your final images?

It is important to me as it allows myself even more creativity after capture. All of the images on my current website have had my mojo added in one form or another. The weddings that I deliver will not get the same treatemts other then the ones that I want to highlight.

It’s coming up to 2008, do you have any resolutions for the new year with regards to business? Or personal?

i have never been one to make resolutions business or personal. I did mention a few weeks ago to Chantal that I would cut ice cream from my pleasures to loose a few pounds. Keep in mind that there are more overweight people in Canada than average-weight people. So overweight people are now average. Which means I’ve already met my New Year’s resolution :)

One thing other photographers should know about you. One thing your client should know about you.

One thing other photographers should know about me is that I like to have fun while shooting. I keep a relaxed demeanour and go with the flow. Nothing fazes me or shocks me that i haven’t seen in the 26 years of shooting weddings.

One thing the client should know about me is “I accept cash”

Having looked at your website, you seem to shoot a lot of your own work rather than just for clients. Do you set yourself projects and if so, do you have any current projects?

My website does show alot of other work. I decided that when i was having this custom site built that I wanted my clients to see that I was well rounded. I just don’t shoot brides but many other subjects that interest me. It gives them a larger view of my work. I don’t really set projects to shoot but am fortunate to shoot weddings around the glode. It’s on those days off after the wedding that I can venture out and shoot whatever interests me in that location. It is a great way for me to unwind from the wedding. My Cuba gallery is an example of this.

Which photographer would you like to shoot with for a day & why?

that’s a toughy……..if I can only pick one then it will have to be Chantal my wife. She has second shot with me numerous times and this past season shot three weddings solo. Why?…..because i want to shoot fewer weddings and have her at the experience level where I can stay home on the weekend sipping Shiraz and smok’in Big Fat Cuban Cigars ……I’m amost there! :)





Jeremy Lawson – Southwest Missouri

14 11 2007

Definitely creative, definitely unique, definitely talented… that’s Jeremy Lawson in a very small nutshell! He also happens to be an international award winning photojournalist and has quickly become one of the most sought after photographers in the Midwest. His photography is edgy and fun and his work is a superb blend of fashion, art & photojournalism.

Jeremy’s Website
Jeremy’s Blog


How do you keep yourself motivated & your photography fresh?

When I am really in the zone, it feels like music. I can even get a little tingly like pins on my face and hands. That is what makes love what i do but, Being motivated and fresh all the time is sometimes tough. I love what i do, and i want to do something new and exciting for everyone. Its hard mostly because i have a very short attention span, with a location or a style or whatever, My stereotypical male “conquer and move on” attitude doesn’t help either. I tend to get really lucky with my subjects though. My different style tends to attract different creative people and that can make it easy. But when I am stuck I look for inspiration in real life. Even on images that are not true to life at all, like my latest session with Steph and Dan (view my latest blog post). The ideas come from real life feelings or true to life stories. Sometimes a session can be based on a personal story from the couple or from a simple general human emotion. Sometimes I just try to find a word or a phase that represents my subject and build off that, and try to express my feelings visually. I also really appreciate photography in all its forms. I dont like to shoot exclusively in one style or just like one style of photography. Thats why one shoot can be so different from the next. You really have to go out and explore. Discovery can be the greatest source of inspiration.

What (or who) has inspired, & continues to inspire, your work?
Jesh de Rox is really great. Jessica Claire. 2006 WPJA photogrpher of the year. Carlo Carletti. Just to name a few. I really appreciate people that can “see outside the box” When something is happening, not just creating. When I am really connected to a client or to a situation its like a high almost, Zen or something. I really appreciate that about some photographers, and I can see it in their work.

What do you say or do to put your clients at ease in front of the camera?

I think people feel nervous because they think I expect something from them that they don’t think they can give me. Like they have to be models or something. I used to try to make them loosed up right away, but then I found that I got a lot of real genuine emotion out of nervous people (mostly nervousness) and they tended to cling to each other more. I also try to not to be a photographer, I am one of there friends and we are all going out to be stupid with the camera. Once they settle down then we can get a little more serious and do some other things.

Plus I also do all my sessions in my underwear.

Show us your favorite image that you’ve shot so far this year & tell us what it is about this image that makes it special to you.

My favorite image would have to be this shot from a wedding i did this summer. it has more of a sentimental meaning to me, although i really like the image. When I first started shooting. I had no experience, no mentors, I was pretty much clueless just and doing my own thing. Then one day I ran across this site called the WPJA.com. It was an organization dedicated to photojournalism, which was what i seemed to be doing at the time. The work and of people on this site really inspired me. It was my first real look into professionals doing wedding photography. That was several years ago. But I aspired to that hoping that one day I might (in my wildest dreams) be like these people. The organization denied my membership for years until one year they accepted me. Then I started winning top 10 placements in the many of the contests. I was so excited. Just this past contest I received my first 1st place award for a photo in the weather category. This is the image. It makes me feel so honored to have a place next to these other phenomenal photojournalists.

Do you have any personal photography projects?
I have several actually, the one I am starting work on now has a local focus. Its called faces of downtown. Both famous and infamous people that, if you work or live downtown Springfield, you would recognize. Mostly photographic caricatures.

If one of us were getting married, why would we hire you?!

The most important lesson i have ever learned in the business of photography was not to worry so much about making people like me but making people feel liked. I think people feel like I connect with them. The funny part is, we do work for so many different types of people. But most people, no matter who they are, want to feel known and appreciated and beautiful and special . And I do, appreciate them. Not for their business or there money but for who they are and there ideas and there relationship.

As different as you may be from me. I am like you, at least in some ways. (I try to show this more than I actually say it) And even the parts of you that are different I appreciate. And I am excited to work with you. Here are some of my pictures for you to look at… Thats my sales pitch.

If you were planning on having a photo-shoot, who would you want to photograph your portrait & why?
This is tough. The biggest testament to a photographer is capturing complexity, beautifully in a single shot. I am really into Jesh De Rox right now. I think he would have to be the guy.

______________

We usually request about 10 images from the photographers who contribute their work. Jeremy sent us a few more and asked us to decide which ones to included. We didn’t have the heart to miss any out – they’re all so creative we were sure you’d want to see them too!





Center Avenue Imaging – Colorado

8 11 2007

Shannon Kaple of Center Avenue Imaging is the first of our recommended photographers from one of our readers. Some of you may already have heard of Shannon & know her work but it’s always great for us to be introduced to photographers that we’ve not come across before. Although Shannon is a wedding & lifestyle, she’s also won a variety of awards for her documentary work. Shannon’s 12 years of experience & talent shines through in the small handful of images she’s selected to be featured on Don’t Box Us In.

Center Avenue Imaging Website

Center Avenue Imaging Blog

How do you keep yourself motivated & your photography fresh?
I keep myself motivated by meeting with other photographers on a regular basis to share ideas, photograph together and exchange ideas on marketing, album design, and customer expectations. This gives me an opportunity to glean from others and also share ideas that I’m implementing into my business. This month I’ll be hosting Denver’s Photography Meet Up group that stemmed from the F-stop workshop I took in September. There has been a really positive response in the photography community and I’m encouraged to help create an environment that facilitates this type of synergy and sharing with in the industry.

I also think it’s important to give back to your community, so I volunteer my photography services for non profit organizations that help families through adoption or provide services for families with critically ill kids such as “There with Care” here in Boulder. This helps me to keep my photography fresh because I’m serving others with my time, talent and energy and not just contributing to the success of my own business or self gain.

What (or who) has inspired, & continues to inspire, your work?
Recently, I’ve been watching a lot of classic 1930’s movies, such as “Bringing Up Baby” and “The Blue Angel” for inspirational lighting techniques. I’m a real movie buff, which contributes to my understanding of lighting concepts, framing and composition. Movies such as Kurusava’s Dreams, Amelie and I am Sam are great for better understanding these ideas.

In addition, my clients are a huge inspiration to me. In the late 90’s I took two years documenting the idea of family in a small rural western New York town. This experience has carried over into my work as a wedding photojournalist, because I have the opportunity to explore the beginning stages and complexities of family dynamics through the lens of my camera. Each couple is unique in what they bring to a marriage and I’m honored to help capture this love that binds two souls.

Why did you take up wedding photography and what is the best part about being a wedding photographer?
I took up wedding photography full time right after I was married over two years ago. I was inspired by the work of my own wedding photographer, Caroline Koopman and wanted to be able to do for others, what Caroline did for us, which was capture some very emotional, moving images of the happiest day of my life. The best thing about being a wedding photographer is being able to create relationships with my clients, so that when I show up on the day of their wedding I feel like I’m part of their family. I initially began photographing weddings after I finished my Bachelors of Fine Arts in Photography, but it wasn’t until I was in love and married that my passion for wedding photography really took off.

What advice do you have for other photographers?
I would advise other photographers to become actively involved in continuing their education as a photographer. I attend seminars and conferences regularly and would highly recommend attending WPPI, or seminars offered by amazing talents like Mike Colon’s or Zack Aria’s. If you’re a Colorado resident become part of the PPC or attend the “Imaging Workshop” in May of 08.

One thing photographers should know about you. One thing your client should know about you.
Other Photographers should know that I love to share with others what I have learned, so if your new to the industry and would like to learn more, just drop me a line I would love to have lunch with you or have you shoot with me some time. My clients should know that I’m committed to providing excellent customer service, in addition to providing unique solutions to photography needs while creating romantic, story telling imagery.

Tell us three things important to you in your personal life & three things important to you in business:
Personal Life – 1. Faith 2. Husband 3.Community
Business Life – 1. Growth 2. Integrity 3. Love

Which photographer would you like to shoot with for a day & why?
I would really enjoy photographing with Thomas Roma because his work involves situations where people are caught up in an emotional experience or private moment that makes them very vulnerable and this is clearly displayed in his work. I really love his quote in Sunset Park, which are photographs from his series at public pools. He states, “I’m fond of saying that being a photographer is a way to be in the presence of the things you desire.” Love is something I’ve always desired to share with someone and now that I have, I truly enjoy photographing this desire in others.














Amorphia Photography – UK / Europe

2 11 2007

Mark Eric has asked me a couple of times now to put an interview together for Don’t Box Us In and I guess I’ve been putting it off as it seemed a little weird posting here after having been helping out on the site! Anyway, I thought Mark would probably just keep on asking so here it is!

For those of you that don’t know, Amorphia Photography is made up of me, Sofie, and my husband, Paul. He’s the technical half of the collaboration and I’m the creative & literary part so I get to fill out the interview!!

Amorphia Photography Website
Amorphia Photography Blog

How do you keep yourself motivated & your photography fresh?

I bought my first camera, a Nikon F50 with a tin can Nikkor lens, and it seemed as though I’d been going through life without really seeing what was around me. I obviously wasn’t walking around blindfolded but picking up a camera made me change HOW I saw everything and how those things might work in an image. Ten years on and that intensity and capacity for truly “seeing” hasn’t dwindled & I think part of the reason for that is that photography is a huge chunk of my life and more importantly I shoot for myself as much as I do for my clients. I don’t just pick up a camera when I have work but if it is a job, I want the images to be special, not just run of the mill shots or the same photos I took with the last set of clients. Second-rate, average shots just don’t cut it for me. As much as my clients might love a mediocre image, I’m personally not satisfied with providing them with average work so that in itself is motivation enough to keep me on my toes. It’s also about breaking rules (as great as the rule of thirds might be every once in a while it’s begging to be broken) and setting myself challenges. Then again, it could be as simple as the fact that I still enjoy taking photographs!

I think being around others who share the same interest and passion as you do also has a tendency to rub off. I joined the Open Source Photo forum in March this year and it’s been a great source of information and encouragement so thank you to everyone who’s shared a part in that for me.

What (or who) has inspired, & continues to inspire, your work?

When I first started out as a wedding photographer a couple of years ago, I suddenly “found” all these superstar photographers’ blogs & websites online and I was in complete awe (I still am at times!) but to the point where it would frustrate me everytime I viewed their work. I wanted to be as good as them and I wanted to be that good NOW. I eventually realised, there’s a very fine line between inspiration and the pressure of wanting to emulate another photographer. Once I accepted that, I could actually move on and work on my own photography. I still admire so many people’s work though and I could probably fill a couple of A4 sheets with names if you really wanted me to!

One group of photographers that still inspire me is the company I used to work for as an art director which is called Venture. As much as British pro photographers love to hate it, it taught me so much about contemporary portraiture and completely pushing the boundaries when it comes to portrait photography. I actually miss working there for the plain fact that it was truly amazing seeing what people I worked with would come up with just when you honestly thought that was as far as you could go. Their yearly image collection is a great example of photographers not being boxed in by traditional concepts.

What do you say or do to put your clients at ease in front of the camera?

This starts way before I’ve even picked up a camera. It’s all about getting your clients to trust you and feel relaxed in your presence so once you do have that camera in your hands they are already comfortable around you. I find that some people just need that little bit of extra reassurance whilst they’re in front of the camera that what they’re doing is right or that they look good so I’ll happily give it to them and encourage them. I also tend to do a few fun & relaxed shots very early on in the shoot to make them forget the camera’s pointed in their direction. Those “fun” shots involve movement and interaction either with each other if it’s a couple, or with me & the camera if it’s a single person, rather than getting the client in a still position & posing which most people find awkward especially at the start of a shoot. I also think it’s important to get yourself in front of the camera every so often so you remember what it’s like being there yourself so you can understand your client and how they might be feeling!

How important is post-processing in your final images?

Some might actually say I post-process to a fault! For me post-processing is not about “fixing” an image but rather it’s about enhancing an already strong image. If an image is poorly composed or exposed, no amount of post-processing will redeem the photograph. I mainly use duplicate layers, blending modes, masks & curves and Photoshop’s new Smart Sharpen tool to bring out colors, textures and details which is what I did with this image below:

Image 1 (straight out of camera)

Image 2 (after 5 minutes in PS!)

If you weren’t a photographer, what would you have been?

I wanted to be a fashion designer but it didn’t help that I coudn’t draw to save my life! Picking up a camera and being able to produce art in a photographic format was my way of expressing my non-drawing, non-painting, frustrated creative side so I actually can’t see myself being anything but a photographer now!

It’s coming up to 2008, do you have any resolutions for the new year with regards to business? Or personal?

We’re moving back to Cyprus early next year, so it’ll be a fresh market for us and we’ll be starting our business from scratch again but, as it’s a relatively small place, by the time the year is out I’d like to be well established on the island as the most contemporary wedding or portrait photographer to hire! Kind of a big one, huh?

On a more personal note, I resolve to sit up straight at the computer and get to yoga classes more regularly!

What advice do you have for other photographers?

Don’t become complacent about your work. There’s always room for improvement, change & progression.

If you were planning on having a photo-shoot, who would you want to photograph your portrait & why?

Herb Ritts, but sadly he’s dead so I’ll settle for getting re-married (before I get into trouble, to Paul again obviously!) and asking Joe Buissink to cut me a deal on his prices ;)





Spotlight a Photographer!

25 10 2007

For the past few months we’ve featured photographers that we know or had heard of but we’ve also been given a few referrals which we’ve followed up on. Some of the suggestions we’ve been given have been for photographers who we personally hadn’t come across before but are extremely talented & were well worth featuring. Although there’s a long line of photographers’ names on our list that we’d like to interview, we’d love to hear from you if you know of a photographer that is deserving of a little DBUI spotlight. If you know a photographer that you feel is particularly creative or unique, leave a comment below and let us know who they are and we’ll contact them. And while you’re leaving those comments, let us know what kind of questions you would like to see us asking our new featured photographers!





Lemon Lime Photography – Kansas City

18 10 2007

So, are you ready to be introduced to Eric & Neal? Yes? Are you quite sure?! Ok, let’s get introducing… Eric & Neal are collaborators, not partners, and make up Lemon Lime Photography … I guess the word “partner” gets a little lost in translation nowadays, right guys?! Whatever you want to refer to them as, Eric & Neal make one hell of a talented photographic team! Their work is striking, with a contemporary feel to it, & their attention to detail is noticeable throughout their sets of session images.

Eric:

Neal:

The Lemon Lime Photography site & The Juice Stop will keep you up to date with their work but for now Eric & Neal have given us the amusing opportunity to be privy to a fly-on-the-wall-type interview… If they ever decide to give photography up (which would be a great shame) they could probably both get into stand-up comedy instead!

To begin, we are not partners. We are collaborators. We talk, we debate, we challenge, we aim to innovate both our images and ourselves. This is our conversation.
Eric: 1.How do you keep yourself motivated & your photography fresh?
Neal: (pauses) (looks around the coffee shop). I think my primary motivation is fear.
Eric: What? Why?
N: I am not afraid that I will fail. Deep down I know each image we show a client will be our best work, but in my heart I want each image to be a representation of the emotion I felt from that snap of the shutter.
E: I am a little different – but very much the same. Photography for me is about an intuitive search and discovery. I am constantly seeking out new forms, new expressions, and new realizations; often to the extent I feel like a child.
N: You are a child…
E: I know am but so are you..
N: Exactly.
E: Honestly, photography is an art that has a very unique sense of immediacy to it. You see, you react, you shoot – and now, instantly you see your work. This gives the rare opportunity to constantly reevaluate, rethink, and search deeper for something more.
N: You’re right, seeing an image right away allows you to hold some sort of emotional attachment to it. Maybe it’s just being naïve, but I want to be able to feel the emotion of every image. I want someone that didn’t attend the event to be able to see the image and feel the same thing I did as an observer.
E: Okay, next question.
N: 2. What (or who) has inspired, & continues to inspire, your work?
E: I think our ‘’competitive’ collaboration is the greatest inspiration of all. It pushes me to learn and explore beyond what is expected of my style. It gives me the freedom to explore. Most of it is creating a conversation about photography.
N: Yeah, having a teammate throughout the day allows us to push ourselves and strive for a unique image in each situation. Having worked together as often as we have and setting a game plan for each event of the day, I know when I have some creative license. We know each other’s strength and can step up when we know the other needs us to. I think being a team is probably the strongest inspiration.

(both pause a little)

N: That sounds dumb. They’re going to think we’re idiots.
E: We aren’t?
N: True.
N: Maybe they want to know a little about how we started out and what has changed.
E: Yeah, okay, I came into to photography thanks to my father and my personal fascination with creating images. However, I made the choice years ago to become an architect. That choice has in-fact inspired me even more in photography. I was taught how to read people and spaces, understand their needs and then design their surrounding to better their life, their community, and their world. From this the spectacle of living has become my greatest inspiration. The way people move though a space, the way a child looks at their mother, the way a chair is moved slightly away from a table for a quick exit. It is this spectacle that is my greatest inspiration.
N: You know you sound like super uber-nerd.
E: (laughing)I know. So big shot, what inspires you?
N: I guess, I am inspired by everything around me, and I think most photographers are. Having a ‘day job’ with little or no creative liberties (Neal works at a bank in IT), I get my inspiration from all over. Inspiration can come from a song, a flower, an excellent movie, or a special moment with your family. These items are what make you go into a wedding with your unique viewpoint. Being on the other side of the camera and experiencing all those emotions at my wedding was something that really helps me capture each unique story.
E: I might have sounded like a nerd, but at least I don’t sound like a sissy.
N: Probably true.
N: 3. Show us your favorite image that you’ve shot so far this year & tell us what it is about this image that makes it special to you.
N: & E: (same time) I haven’t taken it yet.
(Both laughing)
N: Wow, I have to pick one favorite? How? My favorite would be determined by how I feel in the exact moment. If I’m happy, then my selection would be an image that reflects happiness. If I’m in a bad mood, the image could be more dramatic or dark.
E: Yeah, I am sure I have taken it, but I just don’t have a favorite. I think a wedding very soon will be my perfect image. Part of me though hopes it never happens.
N: What? Why?
E: We go into a wedding as a storyteller, right?
N: Yeah, okay….
E: We have some beautiful images, some emotional images – but our complete stories are always stronger then any single image. Our images play and work off each other, each one aiding in the story of the next – adding a bit of understanding and complexity. I have my favorite moments of the year, but not my favorite images.
N: I get cha now. I wish choosing an image was easy, but for me my favorite image is the one I see on the back of the camera as it unfolds. I love knowing I captured something special for my client.
E: Chimper!
N: So, everyone does it. It’s a tool and it’s there, so why not take a quick peak. Next.
E: 4. What’s the best part about being a wedding photographer?
N: Making people cry…
E: Yeah, to be able to touch a total stranger.
N: Ah… isn’t that illegal?
E: NO! I meant, like when we show off a slideshow to a complete stranger they feel what that day was like and they get choked up.
N: Oh, you mean like Emily’s mom?
E: Yeah, exactly.
N: Good, cause the alternative would have been kinda scary and I might have to stop working with you.
E: Funny!
E: There is something amazing about walking into an event that someone has dreamed his or her whole life about. Everything is perfect; the brides dress has been her fantasy since age two. Every detail, every flower, every typeface was obsessed over for weeks. It is perfection. Getting to share in that emotion, that beauty and capture the dreams of our clients is what makes this amazing.
N: I agree, the best part of the job is telling the story. Not just telling the story, but taking myself back to my wedding day. I want to remember those emotions I felt and remember the connection I had with my wife.
E: Again, with the sissy talk.
N: Next!!
E: 5.Which photographer would you like to shoot with for a day & why?
E&N: (Extra long pause..)
E: I will be a bit more standard on this one – I am currently obsessed with the works of Simon Proctor. He has such an ability to capture the emotional beauty of a place while still managing to cover the spectacle and the almost fanciful world his images live in. He takes photography to a new level where images are no long quickly understood or classified, and new worlds only found in the camera are explored. It is almost haunting…..
N: (pauses)
E: So, how about you? Who do you want to shoot with for a day?
N: Does it have to be a photographer?
E: That’s the question, genius.
N: But why does it have to be a photographer? I could easily pick a couple hundred photographers I could learn something from, but selecting just one, would be extremely hard.
E: Then who would it be?
N: I don’t know, Leonardo Da Vinci?

E: You know he’s dead.
N: Sure, why not? He was an innovator, right? I just picked up this camera two years ago. So I am basically self-taught besides a few things here and there. I think shooting with someone that is not a photographer but an innovator would be something more beneficial to me. I do not want to be molded into someone’s view of beauty, I want to learn from someone who’s understanding of beauty is timeless and then translate that into my work.
E: You turned from sissy to corny in an instant.
N: Maybe so, but Don’t Box Me In!!!





Fred Egan – Dallas/Fort Worth

11 10 2007

Fred Egan is one of those people who isn’t scared to break rules & cross boundaries to grow as a photographer. I’ve watched Fred’s work progress ever since I “found” him online and he undoubtedly keeps going from strength to strength whilst maintaining a consistently modern and edgy style to his photography. Fred’s images ooze with energy and a feel of happiness and love of life. He has a definite uniqueness to his work and his strong rapport & interaction with his clients is wholly obvious in his vibrant images.

To see one of the most “killer” photography websites take a look at Fred’s site & visit his blog to view some of his recent work.

How do you keep myself motivated and my photography fresh?

I keep myself motivated by doing what I enjoy the most…and right now that is photography. Looking at it, experiencing it, studying it. Also, trying to stay balanced in my life with my other loves…my 2 boys, music, sports and my spiritual life. Keeping my photography fresh is a tougher challenge. I often ask myself what my end vision for my work/style is on a weekly basis and am evaluating whether or not my work is falling into that vision. In the end, I want to create a book of work that is consistently “me” but yet evolved. Continuously tweaking that end vision and adjusting my photographic eye is the key to keeping my work fresh. I’m learning more and more that the photography I want to be doing begins with an idea, the idea is where the meat is…and the execution is just follow through.

What (or who) has inspired your work and continues to inspire your work?

I first fell in love with photography in my teenage years when I would pour over Abercombie & Fitch’s Quarterly magazine that featured Bruce Weber’s brilliant black & whites and eventually, color work. There was life on those pages, kids having fun, laughing, relaxing, romance…it all felt like a natural experience. My love for that “experience” has not faded and you can see glimpses of that in my work today. If you were to walk into my bathroom today you could pull J.CREW, Anthropologie and Vogue out of the rack.

Recently, my good friend Nick Onken (a commercial lifestyle photographer) has inspired me to return to the look and feel of film in my work. I had longed to return to the romance and feel of film and he pushed me over the edge. Now I rarely use Photoshop or actions save for a vignette or slight contrast bump. I absolutely love it and it feels like home to me. I’ve fallen in love with photography all over again.

How important is the post processing stage in your final images?

I touched on this in the previous question but I’ll reiterate here. The post processing stage (I’m assuming we are not talking about editing but retouching) is fairly simple for me now. Previously it involved sets of actions and layers, etc but now I do most of what I want in the camera. I make exposure adjustments in Apple’s software, Aperture, and then send final selects through Photoshop for a slight contrast bump…that’s it. And I only sharpen a tiny little bit so I can retain that film look. There is this honesty with the audience that I really enjoy…just letting them know I’m not introducing any slight of hand.

Show us your favorite image that you’ve shot so far this year & tell us what it is about this image that makes it special to you.

This is one of my favorite images I’ve created this year. It’s from an engagement I shot at El Matador in Malibu with a couple getting married later this year. This image is special to me for several reasons. First, this entire shoot marked a huge turning point for me in the development of my life-stylistic photographic eye. It’s a landmark shoot for me in 2007. A madly in love cute couple, breath taking locations and fresh new ideas came together perfectly that day. Second, this image breaks several “rules” of traditional portraiture…I obliterated a subject’s head, the bride’s nonetheless…I forced the focus on the groom when traditionally the opposite is desired…the sun-flare is so prominent that it almost serves as a 3rd subject. All those things make it endearing, I just keep staring at it because of the rules that were broken. My mind keeps going back to it and asking, “What is wrong with this? Why do I enjoy that fact that she doesn’t have a head?” I like it.

If you were planning on having your portrait taken, who would you have to shoot it and why?

This one is easy since I already hired Nick Onken earlier this summer to do just that. I chose Nick because I felt he could really deliver my fun personality to viewers through his eye. We had a total blast doing it and I’ve never worked so hard in a photoshoot before. It was totally worth it and you should be able to see them as soon as my new website and blog launch early next year.

The rest of the story from the Malibu session:





Mark Eric – Alexandria, LA

6 10 2007

Here’s the one you’ve all been waiting for…! Many of you have been asking to hear more about the creator of Don’t Box Us In so here’s a captivating interview with Mark Eric who, over the past year, has created a huge buzz in the wedding industry starting with the Trash the Dress sites and more recently with Don’t Box Us In, which has proved to be a source of inspiration to many photographers.

Mark is a very talented photographer as well as being incredibly passionate about furthering the wedding photography industry. He has a genuine interest in inspiring other photographers and has put together an array of exciting ideas for the near future.

Mark has had a remarkable year but remains grounded & focused on his clients & family. When he says on his website “it’s really all about you, not m.e.” he sincerely means it about his clients and, as I’ve witnessed firsthand, also with his friends & colleagues.

Thanks for taking the time to put this interview together Mark!

For more info on Mark visit his website & stay up-to-date with his photo journal.

Tell us a little about yourself…
I live in Alexandria, Louisiana with my best friend (and wife), Heather. We have a beautiful little 4 year old girl. I started shooting in 2000, after purchasing a Minolta film camera. As I was shooting some practice shots at a local youth baseball field, several parents offered to pay me to take pictures of their kids while they were playing. I didn’t have a clue what I was doing, but I took them up on the offer. Before I knew it, we were running a youth sports photography company covering statewide baseball tournaments, football games, and even a few state beauty pageants. I had never studied lighting or posing, so naturally my style became focused on just “capturing” what was there, with the availalbe light. I learned to photograph “emotion” more than anything- and business took off. When Merrik was born in 2003, I backed off from youth sports so I could spend my evenings at home with the family instead of at the ball field. In 2004, I began shooting a few weddings the only way that I knew how- in a documentary style. Now, I am eagerly studying the art of not only “capturing” my subjects, but also “creating” great set up posed pictures as well. I want to blend all styles of photography from Fashion to Photojournalistic to best capture the personality of my clients- because they are all different.

How do you keep yourself motivated & your photography fresh?

I look for inspiration in my subject. I try to spend time with them in a casual setting before the shoot to get a feel for what makes them unique. We’ll go to dinner, or just chat on the phone. Usually, while talking with them, something will just click. We’ll both come up with ideas- then brainstorm from there. For example- I just met with a couple over a nice Mexican Dinner. At first, I got the usual answers- He likes to play golf. She likes to shop. But after digging just a little bit deeper, they told me how much they both love to travel. Then the ideas just kicked in from everywhere. We were all three barking out possibilities within a few minutes:

Bride- “Ooh- we could find one of those motorcycles with sidecars…”,
Me- ” I heard that a nearby town is having a Hot Air Balloon Festival in a few weeks- how cool would that be!”
Groom- “How about a conceptual series of us stranded on a highway with an overheated Porsche.”
Bride- “I’ve always wanted to get pictures in an airplane hangar- or even outside with an old antique plane, that could be very romantic”
Groom- “How about a Mo-Ped!”

That’s typically how we approach our sessions. Our goal is find inspiration from the personalities of our clients.

What (or who) has inspired, & continues to inspire, your work?

On one hand, I have to inspire myself. Everyone does. I’m reading a book called “Talent Is Never Enough” by John Maxwell. He mentions the fact that no matter how talented we are, if we don’t believe in ourselves, no one else will. No one else can really cause me to be a better photographer, that is up to me. So I purposefully go through every session with Heather, my biggest critic, to figure out what we could do better.

I do find inspiration from several different artists and business people-

In the area of Customer Service- Katherine Tolentino inspires me. (Katherine treats her customers better than anyone. And she always finds time to check in on me to make sure that I’m not burning myself out)

In the area of Business Smarts- Dane Sanders- (he is an example of someone who loves to give- and it is coming back to him)

In the area of being passionate about my craft- Davina Fear (I can remember a few years ago when Davina was so full of questions and eager to learn. Now, she’s one of the most saught after photographers in her area, and she is leading sold out workshops. She is proof that true passion will carry you beyond your dreams.

In the area of creativity – my friends from “The Crazies” – a group made up mostly of Louisiana Visual Artists like Kelly Moore, Josiah Kennedy, Joshua Smith from Cinematic Bride, Jason Cohen, and Kevin Beasley. We all try to meet up at least once a month for a live shoot. Just like Iron sharpens Iron, we strive to make each other better.

And when I need a good dose of accountability, or someone besides my wife to tell me like it is (because I don’t always listen to her- ha ha)…I trust my friend Jason Domingues. He pushes me with his work, and let’s me know if I’m making questionable decisions with any of my ventures.

How do you balance work & family life and with having to juggle both how you keep from burning out?

A few months ago, right after the media craze, I was spending all hours on either my personal business- or promoting trashthedress.com (giving interviews, sending pictures to magazines and TV shows, returning hundreds of e-mails a day). My daughter came in my office one night, tugged at my shirt tale, and said “Daddy, you never play Candy Land with me anymore”. No amount of media attention or fame is worth the time that I have with my family. I made a decision then to back off, delegate, and enjoy life. I block off time to make sure my family comes first- even if I have to stay up until 1:00 am to complete a task, I will spend my evenings with my family.

How has your work evolved from your first shoot to the present day? And what have been the main factors for this evolution?

My first wedding was a $300 gig for a couple that was married in a saloon- complete with JD bottles and Bull Skeletons everywhere. Due to lack of room, I shot the entire ceremony about 3 feet away from them, with direct flash (courtesy of my Quantray flash bracket from Ritz Camera- ha ha). They received the prints, and the negatives. They divorced less than a year later.

Wow- how far things have come. Then, I had no clue what it meant to find the light. I had no clue how to even bounce a flash (not that I would have been able to in a saloon). Everything I shot was documentary- except the group shots. Now, I love shooting with slaves off to the side. I strive to create moments for my clients, as well as capture moments. I’m becoming more of an artist than a snapshooter- and it’s a beautiful thing.

The factors in the evolution have been many- but I have to attribute most of my growth to being involved with some great forums such as www.opensourcephoto.com and www.digitalweddingforum.com.

How did you come up with the idea of the Don’t Box Us In website and do you feel it’s influencing the readers?

DBUI is still evolving. I wanted to create a site that would be inspirational to all photographers, whether they were just starting out or seasoned pros. I’ve always found it inspirational to read the stories of other photographers. To hear the story behind the storyteller so to speak. I also see so many photographers copying poses and settings that they have seen from other photographers. My hope is that DBUI challenges us all to get out of our comfort zone, keep pushing our boundries, keep exploring and growing. Like I said about The Crazies- Iron Sharpens Iron. We can learn from each other. We can be inspired by each other. And we can challenge each other to grow.

What kind of feedback have you received from photographers regarding the DBUI site?

The feedback I’ve received has been very positive. We haven’t really advertised my name (or Sofie’s) too much. This is about photograpy- the site is bigger than us. We are just trying to provide something that helps make our industry better- and based on the feedback we’ve received, we are heading in the right direction.

Can you give us any hints about the future of Don’t Box Us In and what else it might hold?

Things could get very interesting in the near future. I have so many ideas that I sometimes have a hard time focusing on which ones to make a priority. Sofie and I have shared e-mails about sme exciting ideas that would help educate, inspire, and motivate creative photographers. The top three things on my list right now are:
1. Instituting a rewarding photo competition
2. Creating a Visual Pod Cast where select photographers will be interviewed. During the interview, they will point out how they created certain pictures within their portfolio.
3. Expanding the Referral List on trashthedress.com and letsgettrashed.com into a more pleasing website that promotes our recommended photographer’s work through more buzz marketing ideas (such as TTD and LGT).

What made you take up wedding photography & what is the best part about being a wedding photographer?

Sports photography was my passion. I shot my first wedding (in a saloon) just to challenge myself, or to take a chance just to see if it was something I might enjoy. I honestly didn’t want to do weddings after that session. Then, one of my friends was married a short time later. My gift to her was to shoot her wedding. Her dad had cancer, and wasn’t even supposed to make it to her wedding, but he did. During the ceremony- I managed to captue a picture of her dad sitting in a pew looking at his beautiful daughter with tears in his eyes. He died a week after the wedding. That shot changed my mind. I realized how much I could impact lives through wedding photography. It became more than just a paying gig at that point- it became a purpose. It still is.

Tell us one thing your client should know about you and one thing photographers should know about you.

Clients should know that I loathe one thing at weddings- and that’s when friend or family member says “Hey, let’s try this shot. We did it at our wedding…” As long as no one utters those words- it will be a great day! (and even if they do, we’ll still have a great time- but you may get an uncontrollable smirk from me)

Photographers should know that I hate being in front of the camera. If we are shooting together at a convention or get together, I’m not your model, ha ha. I’d rather be behind the camera any day- I’m more of a spectator. However, my daughter will own the spotlight all day long.

It’s almost a year since the Trash the Dress website began and it’s been a wonderful & exciting ride for everyone involved. As the founder of the Trash the Dress website, how do you think Trash the Dress has impacted wedding photography?

I think TTD has knocked down a wall in the world of creative wedding photography. I believe that through the contributions of everyone involved- the bridal market has been exposed to Modern Wedding Photography. Photography that no longer has to live under a label like “photojournalism” or “traditional”. Of course, photographers were offering that style well before TTD hit the mainstream. I think TTD made a dent through the buzz created on bridal forums that has opened up the eyes of many brides. They realize that they don’t have to settle for the same type of pictures that their parents and siblings had….their photography can be fresh and different.

One thing we’ve had to monitor is the number of beginning photographers that started offering TTD sessions. We support anyone who has a passion for photography, but we were concerned that some who really didn’t know how to use a camera may be trying to make a buck off of such a sensitive area as TTD. Our thoughts were that anything involving a wedding dress- and potential damage to that dress- could be a one shot opportunity. It’s not really the best session for a beginning photographer to train themselves on. The memories for the Bride are much too important. Therefore, we started screening our recommended photographers a bit, just to make sure they didn’t appear to be beginners. Hopefully, we can help set a high standard in the industry which gives the beginning photographers something to work towards.

Is there a particular moment in your photographic career that stands out as special or extraordinary for you?

In addition to the Bride’s Father in the story above, I was heavily impacted by an engagement session.

I met a bride and her mother for lunch at Applebees one day. She was so excited. He was a rocker, she was a choir singer at her church. He was rough and tough carpenter, she was fragile and soft. They were complete opposties, but they were heavily in love. She was going to have on blue shoes during her wedding. The Bridal March was going to be played on an Electric Guitar. They were going to ride off on a Harley. She was so excited about the wedding, and honestly, I was too. This was one of those unique weddings that a photographer just knows will allow the type of creative freedom we desire.

I met her and her fiance in Galveston for a very romantic engagement session on the beach. We played in the sand. They ran in the waves. He carried her and danced with her. We went to a nearby boardwalk and amusement park for some very fun pictures. Eveything came out great! Two weeks after our engagement session, her mom called. The Groom had died of Heart Problems in the middle of the night…at 28 years old.

The pictures I had taken turned out to be more than just an engagement session. They showed how happy he was with her. According to his family, they were the best pictures they ever had of him, because they showed his personality, not just a pose. The pictures were displayed at his funeral. A love that was cut short was captured just in time. That gave me a wake up call as to how important every moment is. Each second that passes by is a moment that can never be recaptured.

That’s why I don’t fear competition, I embrace it. There are too many moments in the world for all of us to capture. There aren’t enough photographers in the world for that. When we create great art- and make it visible to the public, then we can help them understand the importance of taking time to capture and create great memories that can be treasured for a lifteime.

Tell us three things that are important to you…

1. Family- above all
2. Integrity
3. Character

Which photographer would you like to shoot with for a day & why?

I still have a yearning for sports photography. I know it’s a cut throat business, and all photographers compete for the same shot. I just love the thrill of being on the sideline. I don’t know any sports photographers by name, but I would love to just be huddled on the sideline with all of the other white Canon lenses- capturing the action- and the reaction.





Mark Gardner – Maryland

24 09 2007

“Different is the difference” is how Mark Gardner describes his work and when you view his images you’ll see he definitely lives up to that statement. Mark produces unique & contemporary images and prides himself for working closely with his clients and paying careful attention to detail.

Mark Gardner

Thanks to Mark for providing us with his interview & some incredible images to post here on DBUI. You can visit Mark’s new web portfolio or his blog to view more of his work.

How do you keep yourself motivated & your photography fresh?

My motivation comes from my clients, they’ve seen my work and chose me over hundreds of other photographers. They expect something different, they expect fun and cool images that say something about themselves, reinforcing the idea of who they are, or perhaps they want images to show something not obvious or unknown about themselves. So working with my clients and listening to them, get me motivated to produce

I never thought of my photography as ‘fresh’, but OK. I work very hard at seeing things that they (my clients) can’t see, or in a way that they wouldn’t expect someone else to see it. I’m always looking for lines, light/shadows, colors, and textures that provide something unique to include into a photograph.

What (or who) has inspired, & continues to inspire, your work?

It’s difficult to nail down my inspirators (is that a word), but to look past the profession of photography, I get real inspiration guys like the late SGT Pat Tilman who was so selfless that not only did he give up millions playing pro football to serve his country, but he made the ultimate sacrifice doing just that…what he believed in.

I am also inspired by success. True success. Success through trial and error. While it’s great to get it right the first time, there is no lesson there, there is no character built off of a first-time-go. This leads to a friend who also happens to be a photographer, John Michael Cooper of AltF Photography. If you heard his story of success, you’d be impressed. JMC has always just kept doing what it was he loved, regardless of what people thought or said, he stayed true to himself and what he believed in, and through his failures…success…that is inspiring!

What was it that first drew you to take up photography?

It was the money! No kidding.

I had always been a ‘picture taker’. I mean I loved getting the film back from the lab and hated the results. So I decided to learn more, to learn how, and why, all those questions that would come into my head when I did not see in print what I saw with my eyes and my mind. Fast forward 10 years, my intrest in photography and computers came together, this is when the learning truly began for me. I’m a learn-as-I-do kinda guy, and I realized that all those books just contributed to a good nights sleep rather than any sort of education or photo-related problem solving.

So, anyway, people loved my pictures of people. Somewhere after shooting couple of weddings for no pay(just for the fun of it), and a few grip-and-grin jobs for little cash, I got the crazy idea that I could actually make money doing this. Here I am nearly 10 years from that first digital camera, living the life I NEVER dreamed of.

What advice do you have for other photographers that may feel they’re stuck in a creative rut with their work?

While I was attending the Drill Sergeant Academy at Ft. Leavenworth KS, one of my drill instructors told me, “when your about to have a breakdown, hang on, your about to have a breakthough”. Whis kinda reminded me of the old saying, when the going gets tough, the tough get going.
So my advice is to other photographers would be, keep pushing, keep trying, keep going, keep failing, because all of these experiences build and reinforce not only who you are, but how you see things, and ultimately you will breakthough and find success. True success.

Name one thing your client should know about you. Name one thing other photographers should know about you.

Any client of mine, needs to know that I’ll do most anything, and go to most any length to capture the images they expect, and with my absolute best effort at a customer experience like no other.

Photographers need to know that I do not see them as my competition. I view all photographers as colleagues, many as friends. After all, clients hire me for me. They simply will hire somebody else if my work(or personality) do not fit their vision of what their photographer should be.

Which photographer would you like to shoot with for a day & why?

Given the opportunity, I think shooting with Sergio would be an excellent opportunity. Knowing Sergio for a few years now, I’ve seen such personality in his images and feel that watching him interact with couples, I could pick up a few things. But that’s not all, his image selections are always top-notch, watching him go through a complete edit would be an awesome experience as well. So, Sergio, if you are reading this, you have my number!